Yom Hazikaron–Memorial Day–was spent mostly in the theater, where we met up at 9 a.m., but we heard the siren at 11 so we stopped doing whatever we were doing for two minutes, me standing right next to Kai–the guy who dropped me on the first rehearsal oportunity he got and who has become my best friend in the the group since then. I could hear his heart pounding over the sirens, and I couldn’t help but think of all those people I served with.
We did a photo shoot, then went back to last minute things and then had a full rehearsal without audience so the lighting could be adjusted. It was very important, as throughout the show my face had to be hidden as much as possible in the shadows.
You see, I played the Sabra. Sabra is the nickname of Jews born in eretz (the land of Israel). It was absolutely fitting, as I am the only sabra in the whole cast. This is the only role that doesn’t have a personified name.
You see, this country was built by two kinds of people: the olim, the new arrivals from the diaspora, and the next generation, those who no longer remember the “bread of captivity”. Even today you’ll see sabra and oleh work side by side. And that is what this piece is about.
The timing was that the show began when it was still Yom Hazikaron, and a video presentation from Mount Herzl (named after Theodore Herzl, the father of Zionism–he was from Hungary, like my family) of the flag of Israel being raised to full mast again as Yom Hazikaron ended and Yom Haatzmaut, Independence day, began.
The story was simple: It began with the land’s struggle to give birth to the Sabra, simbolized bythe Sabra1s rising from under the flag. The various other characters come and are each introduced with a brief solo, while the narrator recounts the beginnings of Zionism. Various aspects of Israeli history are then represented in dance, recounted in the narration. It is important to note that most of the other characters have a scene which is basically classical ballet, very refined, very classy. The Sabra, meanwhile is a lot cruder, as seen while switching between the classical part and the dysphonic music within the same scene. My favorite part was when the Sabra starts doing push-ups as the others dance around him, and gradually the others join him. It meant about 45 push-ups for me!
At the end the Sabra falls–other characters die during the show–and the others put stones on his grave as he gets covered by the Israeli flag once again. Then each of the other characters stand back and fade into darkness. Then the sabra rises again, making the flag fly as he runs across the stage, ddancing a few times. Eventually the Chava character catches the other end of the flag, and they stand in the middle of the stage, holding the flag, and one by one the other characters stand around them and the lights come on,making the Sabra’s face visible for the first time. At this point we started to sing HaTikvah, the national anthem of Israel. This wasn’t planned, but just happened. The lights gradually went on to focus on the flag only. It just gave me the chills.
Make sure you watch the video on the right!
כל עוד בלבב פנימה
נפש יהודי הומיה,
ולפאתי מזרח קדימה,
עין לציון צופיה, |
Kol od baleivav p’nimah
Nefesh y’hudi homiyah
Ulfa’atei mizrach kadimah
Ayin l’tziyon tzofiyah |
As long as in the heart, within,
A soul of a Jew is yearning,
And to the edges of the East, forward,
An eye gazes towards Zion, |
עוד לא אבדה תקוותנו,
התקווה בת שנות אלפים,
להיות עם חופשי בארצנו,
ארץ ציון וירושלים. |
Od lo avdah tikvateinu
Hatikvah bat sh’not alpayim
Lihyot am chofshi b’artzeinu
Eretz tziyon viyrushalayim |
Our hope is not yet lost,
The hope of two thousand years,
To be a free nation in our land,
The land of Zion and Jerusalem. |